![]() Later that night, Vladimir stops at a small rural cottage to ask for shelter. He withdraws the blade and takes it as a souvenir. During the course of his journey, he finds a beheaded corpse with a knife plunged into its heart. THE WURDALAK In 19th Century Russia, Vladimir D'Urfe is a young nobleman on a long trip. Rosy drops the knife and breaks down in hysteria, surrounded by the two corpses of her former lovers. Rosy seizes the knife and stabs Frank with it as he's beginning to strangle her. However, earlier that night, Rosy had placed a butcher knife under her pillow at Mary's suggestion. The murderous pimp realizes that he just killed the wrong woman, and slowly makes his way to Rosy's bed. The sound of the struggle awaken Rosy and she gasps in fright. He creeps up behind Mary and strangles her to death with one of Rosys nylon stockings. While she is busy writing, she fails to notice an intruder in the apartment. Knowing that Rosy would call on her for help, she explains that she felt it was her way of coming back into her life after their breakup. Later that night as Rosy sleeps, Mary gets up out of bed, and pens a note of confession: she was the one making the strange phone calls when she learned of Franks escape from prison. She gives the panic-struck woman a tranquillizer and puts her to bed. Marry arrives at Rosy's apartment soon after, and does her best to calm Rosy's nerves. Unknown to Rosy, Mary is the caller impersonating Frank. Seconds later, Frank calls again, promising that no matter who she calls for protection, he will have his revenge. The two women have been estranged for some time, but Rosy is certain that she is the only one who can help her. Looking for solace, Rosy phones her lesbian lover Mary (Lynda Alfonsi). Rosy is terrified for it was her testimony that landed the man in jail. The caller soon identified himself as Frank, her ex-pimp who has recently escaped from prison. ![]() THE TELEPHONE Rosy (Michele Mercier) is an attractive, high-priced Parisian call-girl who returns to her spacious, basement apartment after an evening out when she immediately gets beset by a series of strange phone calls. ![]() Boris Karloff introduces three horror tales of the macabre and the supernatural known as the 'Three Faces of Fear'. Note: this synopsis is for the orginal Italian release with the segments in this certain order. Claudio Carvalho, Rio de Janeiro, Brazil The countess comes back from beyond to retrieve her ring, terrifying the frightened woman. She steals the worthy ring from her finger. (3)"La Goccia d' Acqua"- Helen Chester is called to prepare the body of a countess for her funeral. The family discovers later what happened in a tragic way. A few seconds after midnight, Gorca comes back home, and the afraid family does not know whether he was transformed or not. The family informs him that there is a chance that Gorca might have been transformed in a Wurdulak, a kind of vampire who drains blood from the living persons. He realizes that the dead man was a criminal, probably killed by the head of the family Gorca, and he is advised to leave that place, before Gorca arrives back at midnight. There, he meets a family composed of two brothers, one sister, one sister-in-law and one nephew, and he falls in love at first sight with the beautiful Sdenka. He withdraws the dagger from the man and finds a house close to the place where he found the body. (2) "I Wurdulak" - Vladimire d'Urfe, a young man, is riding a horse at night and finds a man with a knife in his back. A secret is revealed and a tragedy happens in the end. She calls her girlfriend Mary to stay with her. ![]() She denounced him for a crime committed time ago and he was convicted. She believes her former lover, who has just escaped from prison, is calling her. ![]() (1) "Il Telefono" - Rosy receives many phone calls threatening her. ![]()
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